Audiobook Love

You should never outgrow storytime.

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    The Year of the Bomb
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    Foundation (Foundation 1) The Eight
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  • 2010 Challenges


    0/2--Little Women, Emma



    0/12--Alice in Wonderland (Jan), Journey to the Center of the Earth (Feb)


    2/75--Cleopatra's Daughter, Little Women, A Little Princess, Secret Garden, City of Bones, Eragon, Faerie Wars, Graveyard Book, The Host, Artemis Fowl, Lemony Snicket 1-13,


    1/12--One Second After


    1/100--One Second After


    3/12--Cleopatra's Daughter, One Second After, A Little Princess


    2/20
    Young Adult--Cleopatra's Daughter, A Little Princess T.B.R.--, Shiny & New--, Bad Blogger’s--, Charity--, New in 2010--, Older Than You--, Win! Win!--, Who Are You Again?--, Up to You--


    0/9
    Hugo Winner--, Nebula Winner--, Phillip Dick--, Heinlein--, Hugo Nominee--, 90's--, 80's--, 70's--, 50/60's--


    0/12--Something Wicked This Way Comes, The Inheritance of Loss, The Three Musketeers, American Gods, Devil in the White City, The Know-it-All, The Killer Angels, The Road, The Martian Chronicles, The Once and Future King, Old Man’s War, Emma Alternates:The Odyssey, The Time Machine


    3/100--Cleopatra's Daughter, One Second After, A Little Princess


    1/4--A Little Princess

  • Ongoing Challenges


    The Pulitzer Project
    4/83--
    2009 - Olive Kitteridge by Elizabeth Strout
    2008 - The Brief Wondrous Life of Oscar Wao by Junot Diaz
    2007 - The Road (McCarthy)
    2006 - March (Brooks)
    2005 - Gilead (Robinson)
    2004 - The Known World (Jones)
    2003 - Middlesex (Eugenides)
    2002 - Empire Falls (Russo)
    2001 - The Amazing Adventures of Kavalier & Clay (Chabon)
    2000 - Interpreter of Maladies (Lahiri)
    1999 - The Hours (Cunningham)
    1998 - American Pastoral (Roth)
    1997 - Martin Dressler: The Tale of an American Dreamer (Millhauser)
    1996 - Independence Day (Ford)
    1995 - The Stone Diaries (Shields)
    1994 - The Shipping News (Proulx)
    1993 - A Good Scent from a Strange Mountain (Butler)
    1992 - A Thousand Acres (Smiley)
    1991 - Rabbit at Rest (Updike)
    1990 - The Mambo Kings Play Songs of Love (Hijuelos)
    1989 - Breathing Lessons (Tyler)
    1988 - Beloved (Morrison)
    1987 - A Summons to Memphis (Taylor)
    1986 - Lonesome Dove (McMurtry)
    1985 - Foreign Affairs (Lurie)
    1984 - Ironweed (Kennedy)
    1983 - The Color Purple (Walker)
    1982 - Rabbit is Rich (Updike)
    1981 - A Confederacy of Dunces (Toole)
    1980 - The Executioner’s Song (Mailer)
    1979 - The Stories of John Cheever (Cheever)
    1978 - Elbow Room (McPherson)
    1976 - Humboldt’s Gift (Bellow)
    1975 - The Killer Angels (Shaara)
    1973 - The Optimist’s Daughter (Welty)
    1972 - Angle of Repose (Stegner)
    1970 - Collected Stories by Jean Stafford (Stafford)
    1969 - House Made of Dawn (Momaday)
    1968 - The Confessions of Nat Turner (Styron)
    1967 - The Fixer (Malamud)
    1966 - Collected Stories by Katherine Anne Porter (Porter)
    1965 - The Keepers Of the House (Grau)
    1964 - None given
    1963 - The Reivers (Faulkner)
    1962 - The Edge of Sadness (Edwin O’Connor)
    1961 - To Kill a Mockingbird (Lee)
    1960 - Advise and Consent (Drury)
    1959 - The Travels of Jaimie McPheeters (Taylor)
    1958 - A Death in the Family (Agee)
    1956 - Andersonville (Kantor)
    1955 - A Fable (Faulkner)
    1953 - The Old Man and the Sea (Hemingway)
    1952 - The Caine Mutiny (Wouk)
    1951 - The Town (Richter)
    1950 - The Way West (Guthrie)
    1949 - Guard of Honor (Cozzens)
    1948 - Tales of the South Pacific (Michener)
    1947 - All the King’s Men (Warren)
    1945 - Bell for Adano (Hersey)
    1944 - Journey in the Dark (Flavin)
    1943 - Dragon’s Teeth I (Sinclair)
    1942 - In This Our Life (Glasgow)
    1940 - The Grapes of Wrath (Steinbeck)
    1939 - The Yearling (Rawlings)
    1938 - The Late George Apley (Marquand)
    1937 - Gone with the Wind (Mitchell)
    1936 - Honey in the Horn (Davis)
    1935 - Now in November (Johnson)
    1934 - Lamb in His Bosom (Miller)
    1933 - The Store (Stribling)
    1932 - The Good Earth (Buck)
    1931 - Years of Grace (Barnes)
    1930 - Laughing Boy (Lafarge)
    1929 - Scarlet Sister Mary (Peterkin)
    1928 - The Bridge of San Luis Rey (Wilder)
    1927 - Early Autumn (Bromfield)
    1926 - Arrowsmith (Lewis)
    1925 - So Big (Ferber)
    1924 - The Able McLauglins (Wilson)
    1923 - One of Ours (Cather)
    1922 - Alice Adams (Tarkington)
    1921 - The Age of Innocence (Wharton)
    1919 - The Magnificent Ambersons (Tarkington)
    1918 - His Family (Poole)

  • Twitting the Night Away…

    • Feeding the boy while looking whistfully at my knitting... 1 month ago
    • Yay! Almost 2010! I am excited to be able to get a start on all of my reading challenges! 2 months ago
    • The holidays are killing my #reading time! I'll be back to reviewing full time in the next week or so! 2 months ago
    • Id love that! RT @TooFondOfBooks: Is there a cookbook/foodie review challenge for 2010 that anyone knows of? 2 months ago
    • Pressure canning experiment in progress. Trying not to blow up the house. 2 months ago
  • Notices

    This site is a member of Amazon Associates and Audible Affiliates. That means when you click through to Amazon or Audible and purchase a book, I make a small percentage of that sale. All proceeds make through Amazon Associates and Audible Affiliates go to charity.

    The current charity of choice is:

    Autism Speaks, a wonderful charity and a cause that became close to my heart early this year when my daughter was diagnosed.

Murder of King Tut by James Patterson

Posted by megmme on November 19, 2009

The Murder of King Tut

The Murder of King Tut

Overall Grade: F

From my glowing review of The Heretic Queen, you have probably guessed I love everything involving Ancient Egypt. With that being said, I wanted to love this book but it fell incredibly short of expectations.

I started out so hopeful when, during the prologue, the Patterson stressed how much research he had done for the book. I’m certainly no Egyptologist but I was frustrated when, barely into the story, I started to notice several historical errors. For example, in Akhenaten’s death scene, Nefertiti makes some comments about how she will miss her husband’s “brain” as though that is the seat of his thinking and soul. Patterson rightly corrects this later by noting that Egyptians believed the seat of the soul to be housed in the heart but the damage was done.

That was just one of my gripes about this book and relatively minor in comparison to my largest problem with the book–I got more than a third of the way through and Tut had been mentioned in ONE of the scenes that took place in Ancient Egypt. ONE scene? Isn’t the book titled the Murder of King Tut? Patterson spent so much time setting up the family history there was barely any space left to actually discuss the reign and murder of his main character.

The book also has a frustrating format; the narrative has two separate tracks–one set in Ancient Egypt and the other during the time of Howard Carter (the eventual discoverer of Tut’s tomb. I have no idea why Carter’s story was included in the story; Carter is an interesting man and worthy of his own biography but it added very little to the book.

Even if I had ignored the poor format and historical errors, the story just isn’t compelling and never really takes off. All in all, this book was a serious disappointment. If you are looking for a good historical narrative set in the times of Ancient Egypt, look elsewhere because this book contains too little focus on the main characters. If you are looking for a good examination of the Murder of King Tut and the theories and facts involved, you should read Bob Brier’s work on the subject–The Murder of Tutankhamen–it is a much more academic look at the subject.

This book unfortunately falls into the “didn’t finish” category. I wanted to struggle through and finish but I hate to waste precious reading time on a book I find inaccurate and poorly written.

Audiobook Details

The reader, Joe Barett, does an adequate job. He isn’t an incredibly engaging reader but I don’t want to judge him on this book–I’m afraid I’m holding the poor quality of the book against him when it clearly isn’t his doing.

Run time: 5 hours, 59 minutes